跨文化视域下中西悼亡诗的表现诗学——《江城子》、《梦亡妻》之比较  

The Expressive Poetics of Eastern and Western Memorial Poetry from Intercultural Perspective: a Comparison between Jiang Cheng Zi and On His Deceased Wife

作　　者：陈玲[1] 张亚楠[2] 

机构地区：[1]云南师范大学外国语学院,云南昆明650500 [2]济宁职业技术学院,山东济宁272000

出　　处：《广西职业技术学院学报》2015年第1期40-43,共4页Journal of Guangxi Vocational and Technical College

摘　　要：苏轼的《江城子》和弥尔顿的《梦亡妻》都以梦的形式表达了对亡妻的思念,沉郁凄凉,感情真挚。然而,由于历史背景、文化传统等因素的差异,东西方的文学特征也不尽相同。中国表现诗学起源于心物感应论,其艺术特征表现为写意、传神、婉约,而西方表现诗学起源于物外模仿论,其艺术特征表现为写实、逼真、豁达。Su Shi’s Jiang Cheng Zi and Milton’s On His Deceased Wife are both memorial poems, lamenting their wives’ death with utmost sorrow. However, because of the differences of eastern and western historical backgrounds and cultural traditions, the expressive poetics of their poetry differs from each other. Chinese poetics originates from the theory of mind-object affection, and the artistic features are imagery, vivid and restrained. While western poetics derives from the theory of imitation and the artistic features are truthful, life-like, and broad-minded. We can fulfill and enhance ourselves from the intercultural perspective in the process of appreciating western and eastern poetry.

关 键 词：跨文化视域 表现诗学 艺术特征 

分 类 号：I106.2-03[文学—世界文学]