胡怀琛的白话文写作学与新文学教育  

Hu Huaichen's Vernacular Chinese Grammatology and the New Literature Education

作　　者：卢永和[1] 

机构地区：[1]肇庆学院文学院,广东肇庆526061

出　　处：《西华大学学报（哲学社会科学版）》2015年第2期15-20,共6页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：中国博士后科学基金项目"胡怀琛与转型期新旧文学调和问题研究"(项目编号:2013M531409);广东省哲学社会科学"十二五"规划项目"胡怀琛文学史料的整理与研究"(项目编号:GD13XZW06)

摘　　要：20世纪早期的白话文写作学具有新文学普及教育的意义。胡怀琛结合自己的写作及教学经验,整合文字学、语法学、修辞学、文学理论等学科知识,初步建构起一套白话文写作理论。胡怀琛借鉴现代西方语言与文学观念,区分文学与非文学之文体差异,藉此凸显新白话文学的美学追求;另一方面,其白话文写作学以汉语文化为本,遵循母语审美基本原则。胡怀琛的白话文写作学开启的是一条新旧通变、中西兼融的新文学创作路径。Vernacular Chinese grammatology in the early twentieth century has, in effect, helped to popularize the new literature. By integrating his own experience in writing and teaching, and knowledge in grammatology, syntactics, rhetorics, literary theories and other disciplines, Hu Huaichen has constructed a set of writing theory in vernacular Chinese, Hu Huaichen has cleared the difference between literary and non-literary style through borrowing from modern western language and literature concepts to highlight the aesthetic pursuit of the new-vernacular literature; on the other hand, his writing is based upon Chinese culture and follows the aesthetic principles of the mother tongue. Hu Huaichen＇s writing in vernacular Chinese has opened a new creation path for new literature, that is, accommodation of the new and the old, fusion of the west and the east.

关 键 词：胡怀琛 白话文写作学 新文学教育 

分 类 号：I044[文学—文学理论]