康德美学的当代回响——齐泽克论崇高美  

Resounding Kant's Aesthetics——Zizek's Theory on the Sublime Beauty

作　　者：韩振江[1] 

机构地区：[1]大连理工大学人文学院,辽宁大连116023

出　　处：《上海大学学报（社会科学版）》2015年第2期103-111,共9页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社科基金青年项目(11CWW003)

摘　　要：在西方美学史上,德国美学家康德具有独特的地位。他不仅总结了朗吉努斯和伯克的崇高美的思想,而且深入思考了崇高与理性理念的根本联系。在当代美学研究中,崇高好像已经退出了历史舞台,不过齐泽克依然对崇高特别是康德、黑格尔的崇高理论情有独钟,同时也在拉康的视域下对其进行了重新的思考和批判。In the history of Western aesthetics,Kant has a unique position because he not only summarized Longinus＇ and Burke＇s theories on the sublime beauty,but also delved deeper into the fundamental relations between sublime and rationality. In contemporary aesthetics study,sublime seems to retreat from the historical stage,but Zizek＇s passion for the sublime never retreat. He particularly values Kant＇s and Hegel＇s sublime theory,yet at the same time reviews and criticizes their theories in Lacan＇s perspective.

关 键 词：齐泽克 康德 崇高美 原质 

分 类 号：B83-09[哲学宗教—美学]