自文本的文化意义——李新勇《到江尾海头去》的启示  

The Cultural Significance of Autobiographical Novel: on Li Xinyong's To the Place Where the River Meets the Sea

作　　者：毛克强[1] 

机构地区：[1]宜宾学院,四川宜宾644007

出　　处：《宜宾学院学报》2015年第3期18-23,共6页Journal of Yibin University

基　　金：四川省哲学社会科学"十二五"规划2014年度项目"小说人格塑造与人格批评路径研究"(SC14B115)

摘　　要：李新勇的新作《到江尾海头去》是一部自传体小说,"自传"和"小说"高度吻合的文体,需要作者的现实人格与作品塑造的人格形象相一致,同时也要解决纪实与小说虚构的关系,解决艺术的生活和典型性的问题。To the Place Where the River Meets the Sea, an autobiographical novel currently published by Li Xinyong , is a fine combination of autobiography and novel , which calls for the consistency between the au-thor’ s personality in real life and that of the character created in the novel .Problems also need to be ad-dressed to involve the relationship between documentary and ficitional elements as well as the artistical need to sybolize daily life with typical episodes .

关 键 词：自文本 人格形象 虚拟 典型 

分 类 号：I207.425[文学—中国文学]