伦常视觉:《所罗门之歌》的痛楚禁忌  

Ethical Vision: the Painful Taboos in Song of Solomon

作　　者：李雪梅[1] 

机构地区：[1]四川文理学院外国语学院,四川达州635000

出　　处：《外国语文》2015年第1期52-57,共6页Foreign Languages and Literature

基　　金：四川省哲学社会科学"十二五"规划项目"酷儿理论视域下的黑人女作家作品中的女性身份诉求"(SC13WY18);四川省教育厅2014年度重点项目"酷儿理论维度的托尼.莫里森作品研究"(14SA0131)

摘　　要：男权社会的亲缘关系拟制了一系列的社会禁忌,这一切是以假定的异性恋为前提,其结果是对女性进行了目标式的规训,乱伦无疑是严重违背伦常的禁忌。朱迪斯·巴特勒认为乱伦分侵害的乱伦和非侵害乱伦,非侵害性的乱伦只是一种乱伦想象,女性一旦被烙上了乱伦的标记之后,将蜷缩在舆论的狭小空间里,遭受着难以言说的痛楚。论文分析托尼·莫里森的《所罗门之歌》中黑人社会的乱伦带给黑人妇女的痛苦,展示了作品对少数人群需要包容和宽待的呼吁。Based on the kinship of the male-dominated society,a series of social taboos are drawn up. The presumed heterosexuality is the premise of the taboos,which discipline the females. Beyond any doubt,incest seriously violates the taboos of ethic. Judth Butler divides it into invasive and noninvasive incest and thinks the noninvasive incest is only a kind of fancy. But once marked as an incestuous criminal,a female will meet the serious public criticism,and suffer the unspeakable anguish. This paper analyzes the black women＇s anguish caused by incest in Toni Morrison＇s Song of Solomon,and calls for the toleration to the minority groups.

关 键 词：亲缘关系 巴特勒 《所罗门之歌》 乱伦禁忌 痛楚 

分 类 号：I712.074[文学—其他各国文学]