席勒的崇高论——崇高与艺术  

The theory of Schiller's sublime——the sublime and the art

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《青岛科技大学学报（社会科学版）》2015年第1期61-68,92,共9页Journal of Qingdao University of Science and Technology(Social Sciences)

摘　　要：席勒把崇高与艺术联系起来,认为激情的讽刺诗是崇高性格的表现,嬉戏的讽刺诗是优美性格的表现。席勒把崇高与悲剧艺术联系起来,指明了悲剧是崇高的集中表现。这是席勒在艺术史上最大的历史贡献,不仅指明了悲剧艺术的崇高本质,而且突破了西方古典形态的悲剧观,启发了黑格尔等的悲剧矛盾冲突论。Schiller linked the sublime with the art and believed that the passionate satire was the performance of noble temperament and the playful satire was the performance of beautiful temperament. Schiller put the sublimity and the tragedy art together to specify the tragedy was the concentrated expression of noble, of which is Schiller＇s greatest contribution to the art history. In this way, he not only pointed out the sublime nature of the tragedy art, but also broke through the tragic theory of Western classical form and inspired the tragic conflicts theory of Hagel and other people.

关 键 词：崇高 艺术 悲剧艺术 

分 类 号：I01[文学—文学理论]