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作 者:张硕[1]
出 处:《合肥师范学院学报》2015年第2期82-87,共6页Journal of Hefei Normal University
摘 要:意象的生成体现着中华文化的独特精神和审美意蕴。从中国美学史角度溯本探源,"观物取象",表明意象最初萌芽于人们对宇宙万物的模仿;人情显于物象,是意象生成的萌动阶段,物象被赋予一定象征意;"缘心感物",主客体达到审美统一,心与物、情与景实现了双向互动交流。意象的审美形成是在"神与物游"情境下完成的,表现为"天人合一"的超然艺术,专注于物我的完美融合。"象外之象"是对意象空间的弥补和填充,是旷然出脱的再生意象,是意象之境的再创造,是意象能够完美生成不可或缺的重要环节。Imagery is the core category of Chinese ancient literary theory and Chinese classical aesthetics,which plays an important role in the field of Chinese art and culture.The formation of imagery reflects the unique spirit of Chinese culture and aesthetic implication,so it is of much more value to focus on the origin of the imagery.This paper intends to make a study about the way of the formation of imagery,and it will research the imagery generation process from the perspective of the history of Chinese aesthetics by carding ideas and backing to the origin.Starting with the"objective images",the paper clarifies how to construct natural images when the ancients apply the way about images abstracting from viewing.The initial imagery is stored in the universe of imitation.The feelings of human is in the objective images,which is the preliminary stage in the process of forming imagery.Objective images are not only objective vectors this moment,but also are given a certain symbolic significance."You have me,I have you","Feeling images from heart"makes the subject and object to achieve aesthetic unity.Mind and image,feeling and scene realize two-way interaction,which is divided into"Feelings from touching images"and"Implying feelings with images".The formation of aesthetic imagery is completed in the process of"Mind act with object",which is manifested as detached art of the harmony between man and nature.Dusting off the sediment for focusing on perfect fusion of images and me."Image outside image"is a remedy and fills imagery space,which is also called regeneration of imagery.To recreate imagery of the world is an indispensible link in the process of forming the perfect imagery.
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