陇中剪纸的符号修辞研究（英文）  

The Rhetoric of the Longzhong Paper Cuttings

作　　者：张淑萍[1] 

机构地区：[1]兰州城市学院外国语学院

出　　处：《符号与传媒》2015年第1期149-166,共18页Signs & Media

基　　金：the Undergraduate Education Project of Lanzhou City University,entitled"The Identification of the College Students in Mass Media Society"(Grant No.2013-JY-37)

摘　　要：陇中剪纸是中国最古老的民间艺术之一。最早的剪纸出现在南北朝,集装饰、巫术和祭祀功能于一体。祭祀剪纸主要用刀、凿制作,大部分装饰剪纸和巫术剪纸用剪刀剪成。陇中剪纸的特征是野,线条粗犷,风格朴拙;饱含着图腾崇拜、生殖崇拜等原始文化意味,并集中展现人类生活;惯用明喻、隐喻、提喻、转喻、象征、类比、谐音、夸张等修辞手法。The paper cuttings of Longzhong represent one of the oldest folk-art genres in Chinese art history. The paper cuttings first appcared in the Northern and Southern Dynasties, originally used for decoration, worship and witchcraft. The cuttings used for worship are mainly engraved by knife and chisel, whereas the more decorative and witchcraft cuttings are mostly made with scissors. The Longzhong paper cuttings, which are characterised by their wildness, simplicity and clumsy style, convey distinct themes of totemism and reproductive worship and are intensely focused on human life. These themes are expressed through a variety of rhetorical devices such as simile, metaphor, synecdoche, homophone and exaggeration. metonymy, symbol, analogy,

关 键 词：剪纸 祭祀 巫术 装饰 修辞 功能 

分 类 号：J528.1[艺术—艺术设计]