城市文化生产中的农民群体与国家审美形象构建  

Peasant Group and Construction of National Aesthetic Image in the Urban Cultural Production

作　　者：刘颖[1] 

机构地区：[1]福建师范大学公共管理学院,福建福州350108

出　　处：《海南大学学报（人文社会科学版）》2015年第2期59-64,共6页Journal of Hainan University （Humanities & Social Sciences）

摘　　要：全球化市场体系的存在使国家审美形象的日常构建在各国城市文化生产中完成。中国城市文化生产的特质是必须面对农民群体作为弱势文化生产者的现实。回顾建国后的城乡关系更迭,文化政策变迁,会发现通过近十多年来文化平等参与意识的增强、公益性和经营性等多重文化生产渠道的逐步建立,我国城市文化生产环境已经为农民参与到文化生产过程提供了现实条件。这一事实使中国国家审美形象的构建已经能够表现出历史性、情感性和社会性相统一的本质特征。The existence of global market system makes the daily construction of national aesthetic image completed in the process of cultural production of their respective cities. As the particularity in the cultural production of China＇s cities,the peasant group actually plays the role of the vulnerable producer of culture. The review of the changes of urban-rural relations and cultural policies since the founding of the PRC shows that,China＇s environment of urban cultural production has provided the realistic conditions for the peasants＇ participation into the process of cultural production with the enhancement of culturally equal awareness and the gradual establishment of the multi-cultural production approaches featuring the public welfare and commerce and so on for more than ten years. This reality entitles China＇s construction of national aesthetic image with the universally essential characteristic that is historic,affective and social.

关 键 词：城市 文化生产 农民群体 国家审美形象 

分 类 号：G05[文化科学]