浅析中世纪的西方字体设计与纹章设计  

Design and Analysis of Medieval Heraldry Western Font Design

作　　者：汪泓[1] 

机构地区：[1]四川美术学院,重庆400053

出　　处：《艺术与设计（理论版）》2015年第3期36-38,共3页Art and Design

摘　　要：中世纪时期产生了许多不可替代的经典西文字体。中世纪的欧洲政权不稳定,宗教就成为了君主维护政权的手段,也是人们慰藉心灵的寄托。艺术为宗教和王权服务,高高在上的权力机构需要图像和文本来巩固高压统治,因此字体设计风格显露着浓厚的王权和宗教气息。文章以中世纪西方字体以及这一时期的纹章设计的演变为研究对象,记录从手抄书籍到印刷书籍,文字和纹章在设计以及编排方式上的不同特点。Many irreplaceable classic Western Font produced during the middle ages. Medieval Europe and regime instability, religion has become a means of regime monarchy to maintain, but also people comfort soul sustenance. Religious art and royal authority superior service, the need to consolidate the rule of the image and text of high pressure, so the font style of design showing a strong monarchy and religious atmosphere. The article in the Medieval Western Fonts and evolution of heraldic design during this period as the object of study, records from the hand copied books to the printed books, different characteristics of the text and the coat of arms in the design and arrangement.

关 键 词：宗教信仰 羊皮纸 安色尔体 哥特体 中世纪纹章 

分 类 号：J0[艺术—艺术理论]