审美视阈下的钦州坭兴陶  

On the Nixing Pottery of Qinzhou from the Aesthetic Perspective

作　　者：倪文豪[1] 容家宁[1] 

机构地区：[1]钦州学院,广西钦州535000

出　　处：《钦州学院学报》2015年第1期15-18,共4页Journal of Qinzhou University

基　　金：钦州学院校级课题:钦州坭兴陶的审美研究(2012XJKY-19B)

摘　　要：钦州坭兴陶是中国"四大名陶"之一,它的审美价值在于体现了时代的追求、表现出了丰富多彩的生活及创造者的审美情趣。其构成的完整形态所唤起的审美主体的美感,超越了艺术认识价值和艺术伦理价值之上的艺术价值形态。从审美变形机制下阐述坭兴陶的创作及其在审美还原下的意义,可使坭兴陶器的创作者和欣赏者能够把握到审美理想,体验到诗意的生存状态。The Nixing pottery is one of China＇s＂ Four Famous Potteries＂. Its aesthetic value reflects the pursuit of the times, showing a wonderful life and the creator＇s aesthetic taste. The aesthetic appreciation evoked form its complete form surpasses the artistic value form above the artistic awareness and artistic ethical value. This paper describes the creation and its significance under aesthetic restoration from the perspective of aesthetic deformation mechanism, aiming at helping the Nixing Pottery creators and the viewers to grasp its aesthetic ideal and experience its poetic survival of the state.

关 键 词：钦州 坭兴陶 审美变形 审美还原 

分 类 号：J193[艺术—艺术理论]