雪漠及其两次“超越”  

Xue Mo and His Two“ Transcendence”

作　　者：宋登安[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《海南师范大学学报（社会科学版）》2015年第3期36-40,共5页Journal of Hainan Normal University(Social Sciences)

摘　　要：在经历了"大漠三部曲"的现实主义开掘和"灵魂三部曲"的"神性"写作后,雪漠的长篇小说《野狐岭》转向了对神话、历史和现实的全面整合。《野狐岭》的创作使雪漠又一次"打碎"了自己,不但在写作手法上转向了现实主义写作与神性写作的有机融合,而且在精神层面上转向了自我超越后的现实反观。雪漠如同觉世的苦行僧,在领悟、超越、升华后关照世人的心灵和现实社会。这既是雪漠写作的两次转型,又是雪漠精神的两次超越。Having experienced the narration of realism in＂the desert trilogy＂and the description of＂divinity＂in ＂the soul trilogy＂,Xue Mo has turned to the overall integration of myths,history and reality in his novel Ye Hu Ling（ The Wild Fox Ridge）. The writing of Ye Hu Ling（ The Wild Fox Ridge） has ＂transcended＂himself once again,thereby having not only turned to the organic integration of realism and divinity in terms of the writing technique but also swerved to a review of reality after his self-transcendence at the spiritual level. As an ascetic monk in wake of his great awakening,Xue Mo has managed to concern with the soul of common people and the real society after his comprehension,transcendence and sublimation,which is both the dual transformation of Xue Mo＇s writing and the dual transcendence of his spirit.

关 键 词：雪漠 现实主义 神性写作 历史 超越 

分 类 号：I207.4[文学—中国文学]