明代中后期文学世俗化中的民歌因素  

Folk Song Factors in Literature Secularization in the Mid and Late Ming Dynasty

作　　者：徐文翔[1] 

机构地区：[1]安庆师范学院文学院,安徽安庆246000

出　　处：《海南师范大学学报（社会科学版）》2015年第3期87-93,共7页Journal of Hainan Normal University(Social Sciences)

摘　　要：明代中后期文学发展的一个主要倾向,是它的世俗化。在诗歌和散曲的世俗化中,民歌是起推动作用的关键因素。它不仅从形式上影响了二者的体式和语言,更从内蕴上使其具有了一种"世俗之趣"。这种变化,并不是一个简单的"雅→俗"的回归过程,而是映射出在审美趣味世俗化的大背景下,雅、俗两种文化由传统的"俗为雅用"、"化俗为雅"开始转向平等的互动。Secularization is the main tendency of literary development in the mid and late Ming Dynasty. In the secularization of poetry and verse,the folk song is the key factor which has affected both their forms and language as well as endowed them with some sort of ＂ secular appeal＂. Such a change is an equal interaction between elite culture and popular culture rather than a return from the elegant to the secular.

关 键 词：中晚明 诗歌 散曲 民歌 世俗化 

分 类 号：I206.2[文学—中国文学]