从黄飞鸿功夫影视看文艺生态多样性的重建  

Variety Re-construction of Literary Ecology in the view of 100 Huang Fei-hong's Martial Art Movies and TV Dramas

作　　者：姚朝文[1] 

机构地区：[1]佛山科学技术学院中文系,广东佛山528000

出　　处：《佛山科学技术学院学报（社会科学版）》2014年第1期53-57,共5页Journal of Foshan University(Social Science Edition)

基　　金：教育部人文社会科学2008年度规划项目(08JA760005);广东省普通高等院校人文社科一般项目(10WYXM006);广东省广府文化研究基地2012年度自主招标课题资助项目

摘　　要：经典化的文艺理论存在三大症结:(1)人为认定研究对象具有客观性、实体性、文本性;(2)理论旨归追求普遍性、同质化(单一性)、一元性;(3)研究者习惯于把书面"经典"作品个例的经验当作整个文艺领域的普适性规律,遮蔽了事物的丰富复杂性。研究黄飞鸿功夫影视现象可以发现,非经典文艺理论具有下列四项特征:(1)研究对象具有文本间性;(2)理论旨归在于特殊性、异质化(非同质化)、多元开放性;(3)克服以自我价值尺度为(唯一)标准,试图建立起一个彼此平等沟通的话语交往平台;(4)非经典文艺理论不追求排他性的"非此即彼"而是"亦此亦彼",追求文艺向度的多样性。Classical literary theory has the following characteristics： 1. Their research object emphasizes objectivity, entity and text; 2. The aim of their theory has generality, common essence and unitarian. 3. Researchers used to regard the ＂classical＂ case as universal pattern in the literary field, ignoring the rich and complex nature of the world. The study on Huang Fei-hong＇s martial art movie illustrates that non-classical literary theories has the following characteristics： 1） The research object of non-classical literary theories are non-objectivity, non--essence, inter-text; 2） The aim of their theory is special, different, various and opening; 3） With a platform for dialogue and communication, we can exchange ideas each other and avoid to judge everything in the view of their value; 4） Non-classical literary theory do not want to replace other theories but in the pursuit of literary dimension of diversity.

关 键 词：黄飞鸿 功夫影视 文艺生态 多样性 文学重建 

分 类 号：I01[文学—文学理论]