“家族相似性”理论与当代艺术哲学论争  

Family Resemblance and the Debate on Contemporary Philosophy of Art

作　　者：余开亮[1] 

机构地区：[1]中国人民大学哲学院,北京100872

出　　处：《烟台大学学报（哲学社会科学版）》2015年第2期16-22,共7页Journal of Yantai University(Philosophy and Social Science Edition)

摘　　要：维特根斯坦的"家族相似性"理论对当代艺术哲学论争产生了深刻影响,它直接催生了当代分析美学关于如何对艺术进行归类的三种解决方案。新维特根斯坦主义将其发展到了艺术分析领域,用"家族相似性"来归类艺术,提出了反本质主义的艺术识别观;新本质主义在曼德鲍姆对"家族相似性"理论的批判基础上,重新找到了对艺术本质追寻的新路径;而作为本质怀疑论者的卡罗尔则在批判完"家族相似性"概念后,提出了另一种历史性叙事的新的艺术识别观。The theory of family resemblances provided by Ludwig Wittgenstein had a deep effect on the debate on contemporary philosophy of art,and it brought on three methods for classifying art in contemporary analytic aesthetics. Neo- Wittgensteinians applied the theory of family resemblances to classify art,and suggested an idea of identifying art by canceling artistic essence. On the basis of critical thought of Maurice Mandelbaum about the theory of family resemblances,Neo- essentialism found a new approach to artistic essence. As a skeptic about essence,Carroll criticized the concept of family resemblances,and proposed a different way of identifying art by historical narratives.

关 键 词：家族相似性 新维特根斯坦主义 曼德鲍姆 新本质主义 历史性叙事 

分 类 号：B83-069[哲学宗教—美学]