莫言的寓言化写作及其对福克纳的接受  

Mo Yan's Allegorical Writing and Acceptance from William Faulkner

作　　者：尹建民[1] 

机构地区：[1]潍坊学院,山东潍坊261061

出　　处：《潍坊学院学报》2015年第1期6-10,共5页Journal of Weifang University

摘　　要：作为一个获得到世界性身份认可的中国作家,莫言的成功得益于立足本土文学传统,有机地融合、化用外来文学资源,创造出了具有独特审美个性和世界普遍意义的文学作品。莫言受福克纳的影响和启迪,改变了固有的文学观念,获得了关于故乡的写作灵感,建构了自己的叙事策略,极大地拓展了想象空间。他运用寓言化的写作方式,巧妙汲取隐喻、象征、荒诞等现代小说手法,通过复义性意象,戏谑的情境和黑色幽默、狂欢化的语言,完成了对历史和现实的表象的超越,使文本呈现出更加丰富的意蕴和内在张力。As a Chinese writer recognized by the world, Mo Yan＇s success benefited from the fact that he stuck to the native literature tradition, then organically integrated and utilized the foreign literature resources, meanwhile, he also created the literary works with unique aesthetic characters and universal significance. Under Faulkner＇s impact and enlightenment, Mo Yan changed the inherent literary concept, obtained the writing inspiration of his homeland, established his own narrative strategy, and greatly expanded the imaginary space. By using the alle- gorical writing method, Mo yan skillfully borrowed the contemporary techniques, such as metaphor, symbolism and absurdity, and use images of ambiguity, jocosity context, black humors, and carnival of language, to complete the transcendence of historical and realistic representation which presents a more abundant connotation and in- herent tension.

关 键 词：寓言化写作 复义性 言意分离 影响的焦虑 

分 类 号：I206.7[文学—中国文学]