昌黎地秧歌发展研究  

Study on the Development of Changli Yangko Dance

作　　者：赵晓红[1] 张红[1] 李静 张维凯[1] 岳志荣[1] 

机构地区：[1]河北科技师范学院体育系,河北秦皇岛066004 [2]昌黎县文化馆,河北昌黎066600

出　　处：《河北科技师范学院学报（社会科学版）》2015年第1期124-128,共5页Journal of Hebei Normal University of Science & Technology(Social Sciences)

基　　金：河北省社会科学发展研究课题"社会变迁视阈下河北省农村民俗体育发展研究"(2014030811)

摘　　要：采用文献资料法和田野调查法,对昌黎地秧歌的发展进行研究。发现昌黎地秧歌经历了产生与形成期、成熟与兴盛期、动荡期、鼎盛期、衰落期、创新与振兴期、非物质文化遗产保护期七个发展阶段;岁时节庆、庙会、民俗生活、日常生活中的自娱自乐、文化建设中的比赛和展演是昌黎地秧歌生存与发展的文化空间。随着时代更迭,昌黎地秧歌的表演内容也在不断变化,体现出不同时代特征。在传承方式上,艺人传承向多元传承发展,舞蹈语汇传承则由口头传承向文本传承转变。This thesis is conducted ruth the method of literature review and field investigation. The result shows that Changli 7angko dance has experienced seven stages as the following： the emerging and forming stage, maturing and flourishing stage, the turbulent stage and the prosperous stage, the indifference stage, innovation and renaissance stage and the stage of protection of intangible cultural heritage. Changli yangko dance survives and develops in the cdebration of festivals, temple fairs, folk life, self entertainment, competition and performance of culture construction. With the time passing by, the content of the Changli yangko dance is also changing, reflecting the different characteristics of the times. The multiple inheritance is replacing the way from the artist to the artist. The textual in- heritance of dance language is taking place of the oral way. The reference is offered for the inheritance, protection and development of Changli yangko dance in the new integration of multi-culture.

关 键 词：昌黎地秧歌 发展历程 文化空间 表演内容 传承方式 发展 

分 类 号：J722.21[艺术—舞蹈]