论阿多诺“自然的历史”理念及美学转义  

The Idea and Aesthetic Connotation of Adorno's “The Natural History”

作　　者：丁文俊[1] 

机构地区：[1]华东师范大学中国语言文学系,上海200241

出　　处：《东莞理工学院学报》2015年第2期34-38,共5页Journal of Dongguan University of Technology

摘　　要：早年阿多诺在《自然历史观念》中提出"自然的历史"理念,将自然的静止一面纳入历史建构,反对本体论暗含的同一性归类逻辑。自然包含着两重维度,一为批判维度,自然独立于同一性的主观认知之外,指出启蒙历史内含的统治意识形态属性;二为救赎维度,真理性内容蕴含在自然的潜在性之中。"自然的历史"理念构成阿多诺《美学理论》的理论预设,自然以历史停滞的面相、被摹仿的方式,实现艺术的批判功能,又由于自然预示的救赎前景直接转变成为彼岸的神学世界,历史的实践性取向被舍弃。Adorno put forward the concept of ＂the natural history＂ in the The Idea of the Natural History in his early time. The stationary side of the nature is put into the historical construction, in order to oppose the implied logic of the identity in the onto- logical classification. Nature contains a double dimension. For one thing, it is a dimension of criticism. The nature is independent from the subjective perception of identity, which shows the ruling ideology which hides in the history of enlightenment. For the oth- er, it is a dimension of redemption. The truth is inherent in the potential nature. The idea of natural history is the theoretical basis of the Aesthetic Theory. With the natural stagnant face in history and the way of imitating nature, it constitutes the critical function of art. And because of the prospect of redemption from the nature transforming into the other side of the theological world directly, the practice character of history has been discarded.

关 键 词：阿多诺 自然的历史 批判 救赎 《美学理论》 

分 类 号：I01[文学—文学理论]