陶渊明诗歌创作与庄子美学思想之关系  

Zhuangzi's Aesthetics and Tao Yuanming's Poetry Creation

作　　者：吴晟[1] 张莹洁[1] 

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《南昌大学学报（人文社会科学版）》2015年第2期148-152,共5页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：广州市教育创新团队项目"文学经典与文学教育研究"(13C05)

摘　　要：庄子取法于自然的美学思想对中国古代山水田园文学产生了广泛而深远的影响,陶渊明就直接继承并发展了庄子的某些美学思想:其诗在审美对象上,直接取象于大自然;在审美心态上,取法于庄子"心斋""坐忘"的体道观,追求纯粹的心灵上的遨游;在美学风格上,承续了庄子法天贵真、明白纯净的素朴之美,从而形成自己独特的诗风。Zhuangzi＇ s aesthetics exerts great influence on Chinese classical scenic poems, while Tao Yuan- ming＇ s poetry creation inherits Zhuangzi＇ s aesthetic. Influenced by Zhuangzi＇ s aesthetics, his poetry learns from nature on the aesthetic psychology object. On the aesthetic psychology, Zhuangzi＇ s ＂Xin Zhai＂ and ＂Zuo Wang＂ have inspired his creation. On the aesthetic style,Tao Yuanming formed a unique style, reflecting the inheritance of Zhuangzi＇ s aesthetics.

关 键 词：诗歌创作 陶渊明 庄子 美学思想 审美对象 审美心态 美学风格 

分 类 号：I207.227.372[文学—中国文学]