边寿民《芦雁图》意象母题研究  

On the Image Motif of Bian Shoumin's“Reed and Wild Goose”

作　　者：李倍雷[1] 

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《扬州大学学报（人文社会科学版）》2015年第2期118-121,128,共5页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：教育部人文社科基金(13YJA760022)

摘　　要：边寿民《芦雁图》意象母题来源于张直躬的"芦雁图"和苏轼题张直躬"芦雁图"的诗,边寿民一枚"无人态"闲章便是出自苏轼《高邮陈直躬处士画雁二首》中的"君从何处看,得此无人态",这是分析边寿民《芦雁图》意象母题的依据,也是边寿民"无人态"意象母题的表达。边寿民《芦雁图》意象母题不同于"移民"画家朱耷"鱼鸟图"的有人态的意象母题。边寿民《芦雁图》和《芦雁诗》的整体意象母体,属于"无我之境"的意象主题,这也是中国人文绘画艺术的基本追求。The image motif of Bian Shoumin＇s ＂Reed and Wild Goose＂ comes from Zhang Zhigong＇s painting under the some title and the poem written by Su Shi for it. Unlike the painting ＂Fish and Bird＂ of Zhu Da, Bian Shoumin＇s ＂Reed and Wild Goose＂ manifests a ＂selfless natural context＂, which is drawn from Su Shi＇s poem. ＂Selfless nature＂ is the essential pursuit of Chinese humane painting.

关 键 词：扬州八怪 边寿民 芦雁图 意象母题 意境主题 

分 类 号：J209.9[艺术—美术]