寻常物的变迁——波普艺术的现成品实践形式研究  

ON CHANGES OF COMMON STUFF——A CASE STUDY OF CREATION OF READY-MADE PRODUCTS FOR POP ART

作　　者：伍鹏飞[1] 

机构地区：[1]安徽工程大学艺术学院,安徽芜湖241000

出　　处：《巢湖学院学报》2015年第2期85-88,共4页Journal of Chaohu University

摘　　要："现成品"艺术作为西方现当代艺术实践的重要形式,自杜尚以来不断开拓艺术实践的现实疆域,在波普艺术运动中更是达到全面发展。波普艺术家通过对"现成品"实践方式,强化了波普艺术的大众性。文章就波普艺术家现成品实践的理论背景、创作态度和实践形式进行梳理,对其方式、样态、诉求进行比较分析,归纳了"现成品"艺术实践在波普艺术中所呈现出来的主要倾向,讨论其间"现成品"实践的形式变迁,以此揭示波普艺术的形式特征及对当代艺术的观念影响。The ready-made art, as an important form of the western modern and contemporary art creation, has not only contin-uously expanded the realistic territory of art creation since Duchampˊs times, but also achieved the comprehensive development in the Pop art movement. Pop artists strengthen the popularity of Pop art through the creating forms of ready-made products. Based on the study of the theoretical background, creating attitudes and creating forms of Pop artistsˊready-made products and the comparative analysis of their ways, patterns and demands, this article sums up the main tendency manifested in the Pop art in the process of creating the ready-made products, aiming to reveal the formal characteristics of Pop art and the influence on the concept of contemporary art.

关 键 词：现成品 波普艺术 实践形式 达达主义 

分 类 号：J110.99[艺术—艺术理论]