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机构地区:[1]Centre d'Etudes Arctiques, Paris, France [2] Centro Studi Americanistici "Circolo Amerindiano" Perugia, Italy
出 处:《Journal of Literature and Art Studies》2015年第4期271-281,共11页文学与艺术研究(英文版)
摘 要:Native Inuit developed a complex system of shamanic-oriented thinking. They filled the frozen immensities of the Arctic with a number of omnipresent ghosts and spirits. In its shamanic-religious dimension, the Dorset art (circa 1000 B.C. to circa 1000 A.D.), stemming from a culture moulded by shamanic practices and burial rites, kept memory of the Times of Origins, shaped a very rich symbolic universe, suggested, and outsourced the secret correspondences between the micro and macro cosmos. The present paper investigates the thigh correspondence and relationship between the Inuit-Dorset shamanic view of the world and their miniaturized art.
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