注重美学的当代中国电影批评及其价值取向  

Contemporary Chinese Film Criticism Paying Attention to Aesthetics and its Values Orientation

作　　者：张智华[1] 王晓旭[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《艺术百家》2015年第2期91-96,96,共6页Hundred Schools In Arts

基　　金：2012年度国家社科基金艺术学项目"中国当代电影批评及其价值取向研究"(项目编号:12BC021)阶段性成果之一

摘　　要：中国电影批评注重电影美学的发展和应用,关注电影美学批评对电影艺术审美的意义。这主要体现在电影美学与批评发展的历史评述,电影美学批评理论的完善,东方电影美学批评体系建设,新技术条件下电影美学批评的发展等四个方面。运用电影美学理论使电影批评具有了专业性和思想深度,成为了电影批评理论体系的有机组成部分。As an opinion of fundamental problem, general principle of arts theory is advocated by Li Xinfeng, a con- temporary scholar in arts. His works collection Open Art and Collected Works of Arts Science all expound on the gen- eral principle of art overview. The general principle dialectically analyzes statement of autonomy and Heteronomy and extensive principle and points their perspective limitation. Based upon a discussion of Open Art, this paper compre- hensively appraises the general principle of art overview advocated by the author, and points its positive significance in the construction of contemporary arts theory.

关 键 词：电影艺术 当代中国 电影批评 电影美学 审美价值 电影理论 价值取向 

分 类 号：J90[艺术—电影电视艺术]