旋律变奏与时空轮回——《尤利西斯》的隐形复调观  

作　　者：郑茗元[1] 

机构地区：[1]华北水利水电大学比较文学与世界文学研究所

出　　处：《英美文学研究论丛》2014年第2期91-100,共10页English and American Literary Studies

摘　　要：《尤利西斯》的复调艺术思维范式毅然弃绝了传统小说创作领地中的单线架构和语言规范,这种新型时空叙事结构的创设理念进一步激发了小说家透视生命本真的写作意图。通过反复调焦和左右关照小说历史上的复调原创观念,《尤利西斯》把更多的努力投向旋律变奏与时空轮回的并置和使用,并在生命之维交替变奏的历史与现实、失去与拥有的从容笔端共同构成了一个时空并置的＂存在＂关系场,开创性地衍生了多样化的文体复式结构在一部小说中的并举,提出了一个超越于前人的认知外界与感知内心的多主题隐形复合概念模式,遂引领着小说的未来在开放性复调精神的启示下不断地走向对话与多元。The polyphonic art of thinking paradigm in Ulysses has resolutely cast aside the single architecture and language specification employed by the traditional fictions with a newly space-time narrative methodology to further inspire its author＇s writing intentions on life essence. Through focusing on the original conception of polyphony in the developing history of fictions over and over again, Ulysses attaches particular importance to the juxtaposition and collocation of melodic variation along with space-time reincarnation in a fictional configuration, all of which are devoted to a space-time relationship field of ＂existence＂ from the creative perspective of history and reality, loss and possession in the alternative dimension of life impermanence. This potential structure not only pioneers a diverse stratagem of literary forms and styles in an integrated text, but also comes up with a compound conceptual schema full of multiple subjects beyond our predecessors＇ cognition of the outside world and the inner perception to some degree. All in all, as a literary canon abound with innovative spirits and academic values, Ulysses＇ polyphonic device with unique charms of scepticism and relativity in term of the poetics of fiction has guided the way where the contemporary novels should step on ceaselessly towards dialogism and diversity.

关 键 词：《尤利西斯》 复调 变奏 多元 

分 类 号：I562.074[文学—其他各国文学]