云冈石窟中的交脚造像  

The Figure with Ankles Crossed in Yungang

作　　者：邓星亮[1] 华海燕[2] 

机构地区：[1]山西大同大学云冈文化研究中心,山西大同037009 [2]重庆师范大学图书馆,重庆401331

出　　处：《山西大同大学学报（社会科学版）》2015年第2期36-42,共7页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西省高等学校人文社会科学重点研究基地项目"走向民间世俗的云冈文化研究"(2014339)

摘　　要：云冈石窟中的交脚造像具有数量众多、形制齐全和内涵丰富的鲜明特色。通过分析交脚造像的渊源、云冈交脚造像类型和交脚造像的文化内涵,辨明学界中有关交脚造像身份的观点和看法,进而丰富中国石窟造像中"云冈模式"的文化内涵。The figure with ankles crossed in Yungang is characteristic with thriving population, complete form and abundant connotation.In order to enhance the cultural connotation of Yungang pattern, The text not only analyzes the origin and type of figures with ankles crossed, but also its cultural connotation. At the same time, It shows some bright lights on the identification of figure with ankles crossed.

关 键 词：云冈石窟 交脚造像 渊源 类型 内涵 

分 类 号：K879.22[历史地理—考古学及博物馆学]