新世纪美国电影技术悖论现象溯源  

Study Concerning Sources of Phenomenon of Technological Paradox of American Films in the New Century

作　　者：肖春艳[1] 

机构地区：[1]陕西工业职业技术学院基础部,陕西咸阳712000

出　　处：《重庆邮电大学学报（社会科学版）》2015年第3期100-104,110,共6页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：陕西省教育厅科学研究计划:十年来美国电影中技术悖论研究(12JK0279)

摘　　要：自20世纪末以降"后技术时代"肇始,美国技术电影渐次呈现自我悖反的发展范式:一方面不断推进"技术化","前置"创新技术,追求观影体验"陌生化";另一方面影片所操持的"意识形态腹术语"表面看来歧义丛生,撕碎暗箱秘密咬合的齿轮,便可窥见电影文本所呈现的诸多症候性因素赫然指向"技术异化"甚或"反技术"。技术作为美国电影"常数"在新世纪萦绕的"二项对立式"——崇拜和否定,是美国技术电影形式和内容在新时期遭遇之新倾向。在观影体验"陌生化"和电影"文学性"诉求的互交中发轫的美国电影技术悖论现象,是美国技术电影形式和内容动态自洽之产物,也是其实践对当代性进行影像书写的客观存在。Since the late 20th century when the age of post-technology has come,American technology-oriented films gradu-ally present a contradictory paradigm in which the technologization of the films is extremely focused on as well as technology innovation is constantly proposed so as to pursue the defamiliarization of film-watching experience while although the surface meaning of films seemed ambiguous ,a number of characteristic elements hidden beneath the films imply the theme regard-ing technological alienation or anti-technology through analyzing in depth the film texts.Being the constant use of American films,technology is encountering a binary opposition formula -adoration and objection,which is the new trend between the form and the content of American films in the new century.The phenomenon of technological paradox of American films o-riginating in the interaction between the pursuits to the defamiliarization of film-watching experience as well as that to the literariness of films,is the consequence of the self-adjustment between the form and the content of American technological films and the objective existence of American technological films＆#39;photographic narration on modernity.

关 键 词：电影技术悖论 陌生化 文学性 当代性 

分 类 号：I0[文学—文学理论]