从《男人还剩下什么》看毕飞宇小说的男性立场  

Male Position in Bi Feiyu's Stories from his What Is Left on Men

作　　者：贺思[1] 吴培显[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《厦门理工学院学报》2015年第2期88-93,共6页Journal of Xiamen University of Technology

摘　　要：在被称为"写女性心理最好的男作家"的毕飞宇的小说创作中,也有一群平庸无为的男性形象。短篇小说《男人还剩下什么》是他关注男性生存状态的特写,是他创作中的沧海遗珠,以独特的价值展示着他对于男性生存现状的探究。一方面,他通过对男性形象感情世界的挖掘,展现出当下男性感情世界"失语"的状态:爱的能力与人性纯真的丧失,雄性力量的失落;另一方面,他以第一人称的叙事方式和反讽调侃式的个性标识语言,表现男性主体精神。同时,他又在一定上超越了男性立场,让读者感受到男作家的特质以及普世的人文关怀。Bi Feiyu is considered to be the best male writer in describing the female psychology and his stories does include a group of mediocre male images. What Is Left on Men is features story from his attentive concern to men for survival, an unnoticed good writing for male struggle for life. In the story, men are general on the decline, losing the ability for speech, love or human innocence. On the other hand, his first-person narrative style and ironic humor in telling the story shows the male as subject spirit. At the same time, he surpasses the male position in a way to spread the universal human care in a typical male touch.

关 键 词：毕飞宇 男性立场 异化 人文关怀 《男人还剩下什么》 

分 类 号：I207.42[文学—中国文学]