现代性的张力:巴赫金与洛特曼的启示  

Tension of Modernity: Revelation of Bakhtin and Lotman

作　　者：李薇[1] 

机构地区：[1]广东轻工职业技术学院旅游系,广东广州510300

出　　处：《常州大学学报（社会科学版）》2015年第3期75-78,91,共5页Journal of Changzhou University:Social Science Edition

基　　金：国家社会科学基金项目(13BZW004);教育部人文社会科学研究西部和边疆地区项目(12XJC751003);广东省哲学社会科学"十二五"规划项目(GD12CZW10)

摘　　要：基于现代性批判视域,苏俄文论代表巴赫金复调美学以对话主义为要义,主张对话的未完成性,反对主客对立,颠覆独白美学,彰显多元价值观。洛特曼差异美学推举异质要素同时共存,在差异中求共识,多元中求汇通。在反思现代性,重构话语秩序的浪潮中,梳理苏俄文论资源,不仅有助于更加清晰全面地辨识现代性的内在矛盾与冲突,启发蕴含差异、多元和宽容精神的现代性多样性方案设计,还可为后现代语境下当代文学理论的发展提供重要的参照坐标。In the position of modernity criticism,Bakhtin′s poliphony aesthetic regarded dialogue dialectics as the kernel,advocated unfinished dialogue,opposed binary opposition of subject and object and overturned the mono-logue aesthetics to highlight the diverse values.Lotman′s differential aesthetic emphasized the importance of co -existence of heterogeneous elements and seeked common ground among dissimilarities and searches for accommoda-tion within pluralism.Combing Soviet Russian literary theory not only contributes to more clear and comprehensive recognition of the inherent contradictions and conflicts of modernity and inspire modernity diversity program design, but also provides an important benchmark for the development of contemporary literature theories in the post -mod-ern context.

关 键 词：现代性 巴赫金 复调美学 洛特曼 差异美学 

分 类 号：I01[文学—文学理论]