越界与革命——重读蒋光慈《丽莎的哀怨》中的丽莎形象  

Transgression and Revolution:To re-read the figure of Lisa in Lisas' Lament by JIANG Guang-ci

作　　者：杨慧[1] 

机构地区：[1]山东大学威海校区文化传播学院,威海264209

出　　处：《北京师范大学学报（社会科学版）》2015年第3期87-97,共11页Journal of Beijing Normal University(Social Sciences)

基　　金：国家社科基金项目"中国现代文学中的白俄叙事研究(1928-1937)"(13CZW085)

摘　　要：蒋光慈《丽莎的哀怨》的主人公"丽莎",不仅与俄国文学史上经典的丽莎形象有着密切关联,而且铭刻和承载着蒋光慈独特的情感印记与爱情想象。文本中先后出现的"侨民"自称,则揭示出丽莎在"白俄"之外的另一重流亡者身份,从而"越界"挑战了普罗文学的话语规范。上海的西式公园是丽莎最为重要的活动场域,同时也是一个浸透着殖民主义话语的文化符号。而正是通过游荡在公园中的白俄妓女丽莎,蒋光慈摧毁了帝国主义者的嚣张气焰。蒋光慈最终为丽莎选择了"中国式"的"投浦"自杀,以此让柔弱的丽莎承受着中国社会典型性的黑暗与绝望,并且通过自杀行为获得了反抗黑暗的革命气质。这种永不妥协的反抗精神,正是丽莎这一人物形象乃至革命作家蒋光慈的真正价值所在。It is precisely that the name of the protagonist Lisa in Lisas＇ Lament by JIANG Guang-ci is not only related closely to the classical image of Lisa in the history of Russian literature but also associated with the particular imagination of his affections and the weight of his sentiment. In the context,Lisa called herself （emigrant or 6migr6）, which re- veals another identity of Lisa as an exile than a woman of ＂beloaMHrpaHT（white emigrant or white 6migr6）＂whereby this act of transgression challenges the discoursal regulation of the Proletarian literature. The western-style park in it is the most impor- tant place of activities for Lisa;it is as well the cultural sign permeated with colonialist discourse. It is by Lisa as the ＂White Russian＂ prostitute who was wandering in the park that JIANG destroyed the arrogance of the imperialists. Eventually, the author arranged a Chinese-style suicide for Lisa by drowning herself in the Huangpu river,making this weak White Russian woman to bear the weight of despair and darkness in the old Chinese society which forced Lisa to face with the cruel reality and revolt against the imperialist power through her reaction. Therefore, a common spiritual structure exists between Lisa and JIANG,which is the real value of this text and also the ideological appeal of the writer.

关 键 词：蒋光慈 丽莎 白俄 越界 革命 

分 类 号：I109.6[文学—世界文学]