凉月如眉挂柳湾 越中山水镜中看——简评曹隽平新作《抱朴求真》之书法艺术和书法理论  

On the Willow Hanging the New Moon,In the Water Mirroring the Yuezhong Landscape——Review on the Calligraphy art and Calligraphy theory of Cao Juanping's Embracing Simplicity,Seeking Truth

作　　者：范进军[1] 

机构地区：[1]湖南工业大学,湖南株洲412007

出　　处：《湖南工业大学学报（社会科学版）》2015年第2期123-125,共3页Journal of Hunan University of Technology(Social Science Edition)

摘　　要：曹隽平的《抱朴求真》共四册,内容涉及书法作品、书法理论、艺术批评、收藏考据和采访交游等。其书法艺术作品华美而不乏骨力,流丽而不落甜俗,森严法度中呈现高雅,流畅秀逸中蕴含静气,表现了一种宁静、恬淡、细致、平和的静态之美。其书法理论宏观叙事与微观论证相结合,点面照应处理史料,让读者既能全面把握中国书法发展传承的宏观概貌,又能深入体察不同书家在书法史上的独特贡献。Cao Juanping＇ s works Embracing Simplicity, Seeking Truth is composed of four volumes, including calligraphy works, calligraphy theories, art criticism, collections and textual researches, interviews and communi- cation, etc. His calligraphy works are smooth and beautiful, strict and powerful, elegant and quiet, which present a static beauty of tranquility, delicacy and peace. His calligraphy theories combine the macro - narration and mi- cro - argument, and coordinate the point and surface in dealing with historical materials, which can not only ena- ble the readers to comprehensively grasp the macro overview of the inheritance and development of Chinese calli- graphy, but also to realize the unique contribution made by different calligraphers in the calligraphy history.

关 键 词：曹隽平 抱朴求真 书法艺术 书法理论 

分 类 号：J292[艺术—美术]