古典戏曲学“俊语”术语纵论  

Terms of “jun yu” in Classical and Traditional Operas

作　　者：胡俊国[1] 张小芳[1] 

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2015年第3期54-60,共7页Journal of Nantong University:Social Sciences Edition

基　　金：教育部人文社会科学研究基金项目(11YJC751123);江苏省社会科学基金项目(11YSD015)

摘　　要：古典戏曲学中"俊语"这一批评术语,经历了从作为戏曲文学语体本质特征的界定,到用作语体之一的称名,体现了古典戏曲学面对创作实践从市井机巧到文人雅趣的变化,以及进行自我调适的能力和意识。顺应传统批评方式的感性特质,以对创作实践的"二次"品鉴为基础,与理论文献相印证,对"俊语"术语内涵层次和纵向发展轨迹加以勾勒,考察批评术语在理论体系中的地位变迁,分析其在不同时代语境中理论效度和价值生命,可以达到对理论史发展脉搏的把握,获得对其时文学审美趣向及其面临的具体问题的别样认知视角。In the classical and traditional operas, the term of ＂jun yu＂ in criticism has transformed from the definition of drama literary style to one of the names of genres. It reflects the classical changes of traditional operas from the civic skills to the elegant interest of literary men and its self-adaptation ability and consciousness. To keep up with the perceptual characteristics of traditional criticism, based on the ＂secondary＂ writing practice and combining with the theory of literature, we can outline the connotation of ＂jun yu＂, inspect the change of positions of criticism term in the theoretical system and analyze its theoretical validity and value in the context of different times. Then we ean achieve the pulse of theoretical development and acquire the literary and aesthetic interests and the specific problems from different perspectives.

关 键 词：古典戏曲学 俊语 本色 批评术语 

分 类 号：I207.37[文学—中国文学]