男子簪花如雨为哪般——观照宋人的审美文化心态  

Reflection on Song people's aesthetic cultural mentality

作　　者：李春燕[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《新余学院学报》2015年第3期103-106,共4页Journal of Xinyu University

摘　　要：不同时期的人们的审美文化心态会在继承传统的基础上烙上鲜明的时代痕迹。宋代男子簪花如雨作为宋人审美文化心态的外在表征之一,涵蕴着丰富的审美文化理想。宋型文化下,作为文化传承与创造主体的文人士大夫是审美活动的主要践行者,具有典型意义。以宋代文人士大夫为例,通过对簪花如雨这种蔚为大观的民俗现象的原因的观照,来揭示宋人的由雅向俗转变以及经世致用与任远超脱并存的审美文化心态。At different times, people＇s aesthetic culture mentality will be branded with distinct features of the time on the basis of inheri- ting the tradition. In the Song dynasty, so many men wore flowers as one kind of Song peopleg aesthetic cultural mentality, containing their abundant aesthetic cultural ideal. Under the Song culture, scholar - bureaucrats were the main body of culture inheritance and cre- ation and the main practitioners of aesthetic activities. This paper explains the reason why so many men wore flowers in the Song dynasty to reveal Song peopleg aesthetic culture mentality of being from elegance to vulgarity and both pragmatism and detached mind.

关 键 词：男子 簪花 宋代 审美文化心态 

分 类 号：K244[历史地理—历史学] K245[历史地理—中国史]