论古希腊美学中的“主观和谐”思想  

On Thought of Subjective Harmony in Ancient Greece Aesthetics

作　　者：于桂梅[1] 

机构地区：[1]天水师范学院教师教育学院,甘肃天水741001

出　　处：《天水师范学院学报》2015年第2期104-108,共5页Journal of Tianshui Normal University

摘　　要：西方美学发轫于古希腊的毕达哥拉斯学派,根据该学派的思想,事物的美与和谐主要是由客体事物各部分之间的比例所决定的。对"比例"的不同理解就形成了两种不同的美学思潮:一种观点认为比例就是客体对象的一种不变的规律性,因而审美就具有了认知的功能,并由此形成了西方美学的客观主义传统。与此不同的另一种观念认为比例是可变的,而且比例的实现是依赖于人的主观的审美需求。这种主观需求对客观属性的超越就形成了古希腊艺术哲学中的"主观和谐"精神,即由人类的视觉、听觉特性所决定的事物的非精确性的比例、对称、协调等形式美属性。Western aesthetics derives from Pythagoreans of ancient Greece. Pythagoreans thought beauty and harmo- ny were mainly determined by the symmetria of each part of objects. The different understanding for ＂symmetria＂ has formed two separate schools of aesthetic thought, one of concept thought symmetria is an invariable regularity of objects, thus appreciation of the beauty has cognitive function, which have formed objectivistic tradition of western aesthetics. Influenced by relativism thoughts of Sophist, the Other concept thought symmetria is variable and realiza- tion of symmetria rely on the subjective taste demand in beauty. What subjective demand surpass objective property formed ＂subjective Eurhythmy＂ spirit in philosophy of art of ancient Greece, this is, the trait of humans＇ vision and hearing determinate formal beauty attributes of , such as proportion, symmetry and coordination.

关 键 词：主观和谐 和谐 毕达哥拉斯学派 比例 

分 类 号：I01[文学—文学理论]