新世纪诗歌的小资趣味  

petty fun in the new-century poetry

作　　者：李超然[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《河北工程大学学报（社会科学版）》2015年第2期54-59,共6页Journal of Hebei University of Engineering(Social Science Edition)

基　　金：教育部人文社会科学规划基金项目(编号:13XJA751007)

摘　　要：进入新世纪以来,随着人们物质生活条件的提高、网络化的普及、诗人群体的扩大以及新的生活方式的产生,新世纪诗歌在上个世纪90年代的基础上有进一步的发展,并且具有明显的新特点——这其中尤以小资趣味最具代表性;新世纪诗歌中小资趣味的产生是社会经济的发展、诗人创作氛围的变化等多方面因素共同作用的结果,并且就目前来看,新世纪诗歌中的小资趣味在网络诗歌、新一代诗人群体的诗歌以及女性诗人的诗歌中表现得最为明显。Entering the new century, with the improvement of people＇s material living conditions, the popularity of the network, the poet populations expand as well as the new generation of lifestyle, New-Century poetry has been further developed, which is based on the 1990’s poetry. And it has a significantly different feature from poetry in the 1990s - this new-century poetry contains the most representative among the petty bourgeoisie taste. In the new-century poetry, the petty bourgeoisie taste is the result of social and economic development, the poet＇s creative atmosphere changes and other factors working together. For now, the petty bourgeoisie taste in the new-century poetry was most evident in network poetry, new generation of poets and poetry of women poets.

关 键 词：新世纪 诗歌 小资 网络 城市化进程 

分 类 号：I227[文学—中国文学]