在绝望处寻找希望——论瓦尔特·本雅明的艺术发展观  

In Pursuit of Hope from Despair: Walter Benjamin's Thoughts of Artistic Development

作　　者：陶国山[1] 廖红艳[1] 

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《杭州师范大学学报（社会科学版）》2015年第3期71-77,共7页Journal of Hangzhou Normal University(Humanities and Social Sciences)

基　　金：国家哲学社会科学研究基金青年项目"西方马克思主义批判性文艺思想研究"(13CZW002);教育部人文社会科学研究基金青年项目"西方马克思主义者对经典文艺作品的阐释研究"(11YJC752019);中国博士后科学基金第55批面上资助项目的研究成果;国家留学基金委访问学者计划的部分资助

摘　　要：瓦尔特·本雅明指出,由史诗分裂形成的三种文体——故事、小说、新闻消息等随着时代变迁,在艺术场的位置发生相应的变化。传统艺术灵韵消失,机械复制时代的电影等新艺术形式展示了全新的艺术功能。在《小说的危机》《讲故事的人》和《机械复制时代的艺术》等篇章中,本雅明深入探讨了从故事、小说到新闻、电影的艺术链条上展示出来的艺术形式演变以及艺术和技术的关系,进而提出了他的艺术发展观,即一时代必然有一时代之艺术。他强调,技术进步影响并改变了各种艺术形式、接受方式及其功能,现代技术在艺术变革中的潜能因而是绝对不可忽视的。Walter Benjamin pointed out that the position in art field of story, novel and news splitting by epic has changed along with the times. With the disappearance of the aura of traditional art, new art forms, such as the film, are showing new artistic function in the age of mechanical reproduction. In The Crisis of the Novel, The Storyteller- Reflections on the Works of Nikolai Leskov and The Work of Art in the Age of lts Technological Reproduction, Benjamin made an in-depth discussion on the chan- ging art forms of story, novel, news and film in the art chain and the relationship between art and technology, and further put forward his thoughts of artistic development, that is, any era has its own art. Moreover, he emphasized that technological ad- vances in literature and art would ultimately change the form, style of acceptance and function of art, thus, we should pay spe- cial attention to the revolutionary potentials of modem technology for the art.

关 键 词：瓦尔特·本雅明 机械复制时代 艺术 技术 

分 类 号：J110.9[艺术—艺术理论]