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作 者:谢云霞[1]
出 处:《内蒙古民族大学学报(社会科学版)》2015年第3期33-35,共3页Journal of Inner Mongolia Minzu University:Social Sciences
摘 要:李树榕教授的艺术批评专著《艺术智慧:对艺术消费客体质量的思辨》,改变了中国当前艺术批评界缺乏本真而有效的"对象化"批评的现状,并为本真而有效的艺术批评开拓了新的视野。它之所以透射出真切、鲜活、深刻、独到、个性、智慧、有效的批评光彩,是因为作者坚守了艺术批评应有的价值与品格,这一点如实地反映在作者于批评实践中所持有的批评态度、所运用的批评标准以及所秉持的批评宗旨等方面。Chinese current art criticism lack genuine and effective “object --oriented” criticism, but Professor Li Shurong's art criticism book that The Wisdom of Art: Pondering Over The Quality of Art Consumption Object which was published recently has changed this status and has opened a new field of vi- sion to the true and effective art criticism. The new book reflected real, fresh, profound, unique, individ- ual, wise, effective criticism brilliance, because the author had adhered to the values and characters which art criticism should have. It was faithfully reflected in the critical attitude, the critical standards and the critical purpose and so on which were held, applied and uphold by the author in critical practices.
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