线条与语言的协奏——中国古代格律诗与绘画程式互动考论  

Concerto of lines and language: research on interaction of the ancient Chinese metrical poetry and painting program

作　　者：张洲[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《中南大学学报（社会科学版）》2015年第3期235-241,共7页Journal of Central South University：Social Sciences

摘　　要：程式在中国艺术创作和审美中有非常广泛和深刻的体现。在中国古代格律诗与绘画之间,存在着两者程式的形成互生、内涵互见以及在此基础上的创作互用。这种独特艺术现象的形成,以庄子天人合一的哲学精神为指导;以中国书画同源、诗画一律的艺术理论为基础;以诗画在创作主旨、表现手法、审美意趣三方面相类为源动力的出发点。Program is a very broad and deep expression in the field of Chinese art and aesthetics. In between ancientmetrical Chinese poetry and painting, there are alternations of forming, cross-references of connotation in theirprograms, and, on such basis, interoperability of creation. The formation of this unique artistic phenomenon, guided bythe Zhuangzi’s philosophy of “the union of nature and man,” based on the Chinese art theory of the “common origin ofcalligraphy and painting” and the “uniformity of poetry and painting,” takes the similarity of the poetry and painting onthe creation purpose, expression techniques and aesthetics as a starting point, and the consistency on creative methodand tools as the formative conditions.

关 键 词：格律诗 画 程式 互动 

分 类 号：I0-05[文学—文学理论]