艺术史学与艺术学理论的学理关系  

The Inherent Relation between Art History and Art Theory

作　　者：李倍雷[1] 

机构地区：[1]东南大学艺术学院

出　　处：《民族艺术研究》2015年第3期9-17,共9页Ethnic Art Studies

基　　金：2013年度教育部人文社科基金"基于艺术学理论的中国艺术史学方法研究"(13YJA760022)阶段性成果

摘　　要：基于一级学科艺术学理论(01301)的"艺术史",其内在学理与艺术学理论是一致的。艺术学理论中的"艺术"与艺术史中的"艺术"都是上位概念,即包含了下位概念的音乐、美术、舞蹈、设计、戏剧、戏曲、影视、曲艺等所有门类艺术。二者在研究方法上,都要求"汇通"或"打通"下位概念的门类艺术,进行宏观、综合和整体的研究,"艺术史"在此基础上还需要将门类史学材料进行重新整合,让史学材料成为"整合复数"的史料,按照艺术变迁文化路径和功能演变的结构,或社会结构类型的形态框架来建构"整合复数"的史料,使这些"史料"具有关联性的规律,从而呈现出艺术史的形状。也因此,艺术学理论决定了艺术史的形状。Art History, based on the discipline of Art Theory, shares an accordant theoretical logic with it. The concept of ＂art＂ in both Art History and Art Theory are super - ordinate concepts, covering all the art categories which fall under the subordinate disciplines of music, fine art, dance, design, drama, film and television, Quyi etc. The two require doing a macro and comprehensive research by integrating into and breaking through the art categories of the subordinate disciplines. With the research as its base, Art History re - integrate the historical data of all categories of arts into a ＂plural integration＂, following the evolution path of arts and culture and its functional transition, or to the morphological frame of the social structure, thus to sort out the logic and regularity in this ＂plural integration＂ of Art History. Therefore, the study of Art Theory shapes the framework of Art History.

关 键 词：艺术学理论 艺术史学 学理关系 上位概念 下位概念 整合复数 

分 类 号：J0-03[艺术—艺术理论]