实验建筑在中国的艺术表现——以王澍作品为例  

The Artistic Expression of Experimental Architecture in China——Taking Wangshu's Works for Example

作　　者：李新[1,2] 

机构地区：[1]东北师范大学美术学院 [2]中国艺术研究院

出　　处：《民族艺术研究》2015年第3期131-135,共5页Ethnic Art Studies

基　　金：国家社科基金青年项目"新世纪底层叙事研究"项目编号:12czw080;"中国博士后基金第54批面上资助"项目;东北师范大学哲学社会科学校内青年基金(美术专项)项目编号:mszx2012-04系列成果之一

摘　　要：实验建筑以其先锋姿态在中国当代建筑设计领域强势登场,中国涌现出一批实验建筑的代表性人物,其中设计师王澍成为了首个获得"普利兹克奖"的中国建筑师(此前,1983年获奖设计师贝聿铭为美籍华人)。王澍的建筑设计风格既有着浓厚的中国传统文化底蕴,又与西方前卫艺术理念精妙融合,在秉持艺术多样性与差异性的同时,又无限地亲近自然,重返自然,使建筑与自然诗意、和谐地共存。该文力求在展现设计师王澍的独特艺术风格的同时,引发人们对中国未来城市建筑设计的思考。The experimental architecture, with its pioneering features, has firmly appeared in the field of Chinese modern architecture. A group of representatives of experimental architect emerged in China. Wang Shu is the first Chinese experimental architect to win the Pritzker Architecture Prize, the world＇s top prize in architecture. （leo Ming Pei, an American - Chinese, was the 1983 Laureate of the Pritzker Architecture Prize）. Wang＇s design and works demonstrate a perfect combination of Chinese traditional culture and west- ern advanced arts. Wang＇s works reflect the harmonious and poetic coexistence of architecture and nature, embody the diversity and variety of art while pursuing of friendliness and intimacy of nature. The paper tries to enhance people＇s critical thinking about construction design in China while sharing some unique designing features of Wang Shu.

关 键 词：建筑艺术 实验建筑 未来城市建筑 普利兹克奖 王澍 

分 类 号：J03[艺术—艺术理论]