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作 者:李乃龙[1]
出 处:《广西师范大学学报(哲学社会科学版)》2015年第1期95-99,共5页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
摘 要:《文选》一向被视为文学作品总集,学界注意到了其中体现的编者的文学批评理论,其实它还是一部文学史而不仅仅是文学批评史:"选序"体现了编者明晰的文学史观;"选文"以体为别而以时为序,故依体收录的作品便不仅有空间意味,且有了题材史和体裁史之实。即其可谓一部以内容为模式的演化史,一部以作品形态呈现的个人化色彩极浓的文学史。"选学"界内界外对《文选》文学史意义上的关注本身也形成了有待探究的《文选》文学史学内涵的组成部分。Wenxuan is considered as the general collections of literary works. Academics have noticed edi- tor's theory of literary criticism reflected in the Wenxuan, but it is more a history of literature than that of literary criticism. Its "preface" reflects the editor's clear view of literary history, while the "selected works" distinguish from others by the style and considers the time as preface, so that the works collected by the style own not only the space, but also the theme and genre as well. It is an evolution history using the content as the pattern, the history of literature using the form of works to present individualization. "Studies" in and outside the circle of Wenxuan research focus on it literary history, which becomes part of the connotation of literary history studies of anthology remaining to be studied.
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