文化产业背景下艺术批评的当下意义——《艺术智慧:对艺术消费客体质量的思辨》之思辨  

The Contemporary Significance of Art Criticism in the Background of Cultural Industry——On "Artistic Wisdom: the Speculation on the Quality of the Object of Art Consumption"

作　　者：葛丽英[1] 

机构地区：[1]内蒙古大学艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古大学艺术学院学报》2015年第2期133-136,共4页Journal of Art College of Inner Mongolia University

摘　　要：在艺术发展的历史进程中,艺术批评增进了人们对艺术作品的进一步理解、推动了艺术作品更为广泛的传播;在文化产业发展的全新背景下,艺术批评同样应该承担起自身的责任。艺术评论集《艺术智慧:对艺术消费客体质量的思辨》面向近年来国内流行艺术与区域民族艺术两大文化市场,带着深厚的民族情感、立足艺术生产与消费视角,从审美的高度,对以蒙古族艺术为主的戏剧、影视、歌舞、造型等四大门类艺术作品进行了深度的分析与解读,是一部集多年艺术批评实践与学术智慧于一体的心血之作。In the historical process of the development of art, art criticism enhances people＇s further understanding of art works and promotes the wider dissemination of art works; in the new background of cultural industry, art criticism should also assume their responsibilities. For domestic pop art and national art two cultural markets in recent years, with a strong national sentiment, based on the production and consumption of art, and from the perspective of aesthetic height, art commentary “Art Wisdom： the Speculation on the Quality of the Object of Art Consumption” makes a deep analysis and interpretation on the Mongolian arts-based drama, film, dance, modeling, and other four major categories of art works, and is a set of many-year art critical practice and academic wisdom in one.

关 键 词：文化产业 艺术批评 艺术智慧 市场 消费 审美 

分 类 号：J05[艺术—艺术理论]