鲁迅作品《野草》艺术文化主体取向研究  

Research on the Artistic and Cultural Orientation of Lu Xun's works Wild Grass

作　　者：陈彪[1] 

机构地区：[1]安徽水利水电职业技术学院基础部,安徽合肥231606

出　　处：《吉林工程技术师范学院学报》2015年第3期55-57,共3页Journal of Jilin Engineering Normal University

摘　　要：《野草》是鲁迅作品中最被文学研究所关注的作品之一。一方面,使得野草的艺术性、文本主体性研究成果不断,另一方面,也为研究的可创新点带来了困难。本文主要是在前人研究的基础上解读文本,对文本中所展现的艺术文化方面的主体取向进行了分析,并从主体间性的分析中找到一点突破,从《野草》意象创造和艺术形式的主体取向两个方面进行了研究分析。Wild grass is one of Lu Xun＇s works, which attracts a lot of attentions in the literature study. On the one hand, it produces a lot of research findings on the artistic feature and sub- jectivity of the text Wild Grass; on the other hand, it is difficult to find innovative break- through. This paper is to interpret the text on the basis of previous studies, analyzes the artistic and cultural orientation displayed in the text, and find a breakthrough from the analysis of the inter subjectivity, analyzes on the subject orientation of Wild Grass from the following two as- pects-the image creation and art form.

关 键 词：鲁迅 野草 艺术文化 主体取向 

分 类 号：I206.7[文学—中国文学]