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作 者:梁富新[1]
机构地区:[1]黄河科技学院,郑州450063
出 处:《设计艺术研究》2015年第3期60-65,81,共7页Design Research
摘 要:亭作为中国古典园林艺术中兼具实用和艺术审美的建筑艺术种类,其功能结构与物质实体自古至今已有巨大变化。同时,亭的艺术审美形象及其意境美也随之改变。由于对园林中"物质之亭"的论述已很丰富,因此选取纯粹艺术领域——古典山水画与诗词文赋中的"亭",对其进行审美形象和意境的分析,则更具有建设性的意义。As a type of architectural art which has both practical and artistic aesthetics in Chinese classical garden art, the functional structure and material reality of pavilion has changed a lot from of old until in now. At the same time, the pavilion's aesthetic image and artistic conception beauty have also changed accordingly. Due to that the discussions about“material pavilion”in the garden have been abundant enough, so it is of more constructive signiifcance to select the"Pavilion"in the pure artistic area, such as the“Pavilion”in classical landscape paintings and poems and analyze the aesthetic image and artistic conception.
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