“天台山伎”与神仙道化剧  

The “Tiantai Mountain Performing Skills” and Immortal Taoism Drama

作　　者：高莹[1] 张子健[2] 

机构地区：[1]石家庄学院文学与传媒学院,河北石家庄050035 [2]石家庄学院美术学院,河北石家庄050035

出　　处：《石家庄学院学报》2015年第4期66-70,共5页Journal of Shijiazhuang University

基　　金：河北省艺术科学规划重点项目(HBWY2014-Z-G004);石家庄学院博士科研启动项目(14BS007)

摘　　要：太乐令依据君主喜好,随时有所创制,南齐"天台山伎"即因太乐令郑义泰影响而生。《游天台山赋》为剧目蓝本,此赋由东晋高士孙绰赏读天台山图画写成,并非当时游历所得。赋中的细节描写"践莓苔之滑石,搏壁立之翠屏",被太乐令郑义泰等改编为"天台山伎"的核心情节。后世因此又称"莓苔戏"。"天台山伎"的生成固然与道士、道教有关,但并非宗教意义的仪式展现,而是设计角色的装扮表演。作为神仙道化剧,其影响深远。On the basis of the monarch preferences in the Southern Qi Dynasty,the ＂Tiantai Mountain Performing Skills＂ was created by Zheng Yitai,a minister in charge of royal music and fete. ＂Tiantai Mountain Tour＂ was written by Sun Chuo of the Eastern Jin Dynasty when he was enjoying Tiantai plctures,not when visiting the sceneries. One of the detailed descriptions was adapted to the core of the ＂Tiantai Mountain Performing Skills＂ by Zheng Yitai. It was later named ＂Meitai Theater＂. ＂Tiantai Mountain Performing Skills＂ was related to the Taoist and Taoism;however,it was not the religious show,but a design of the role of the dress. As an immortal Taoism drama,it has had a far-reaching influence.

关 键 词：天台山伎 太乐令 游天台山赋 神仙道化剧 

分 类 号：I207.3[文学—中国文学]