一部带有标志意义的侠游小说——浅谈《禅真逸史》对《水浒传》的变革与继承  

A Symbolic Chivalric Novel:On the Evolution and Inheritance of The Romance of the Zen from Water Margin

作　　者：董定一[1] 

机构地区：[1]通化师范学院文学院,吉林通化134002

出　　处：《石家庄学院学报》2015年第4期75-79,共5页Journal of Shijiazhuang University

摘　　要：作为第一部将英雄游侠作为重点描述对象的长篇小说,《水浒传》之中的游历叙事具有鲜明的艺术特征与深远的文学意义。在明代中后期步其余绪而以游历结构故事、统筹情节的侠义小说中,《禅真逸史》无疑最具代表性。一方面,《禅真逸史》借助表现主人公游移于三教之间的人生行为轨迹以实现故事主题的深化,通过系统概述主人公的游历过程以达成故事结构的完整,推动了侠游小说的进一步成熟;另一方面,《禅真逸史》又以文人的意识形态对《水浒传》中藐视正统、背离社会的情节内容进行规范、调整,无形中弱化了以放逸与自由作为基本象征意义的游历主题,破坏了以流动空间内的人物活动轨迹作为基础框架的游历叙事,阻碍了侠游小说的发展。In Water Margin,which focuses on the description of heroic rangers,travel narration shows striking artistic features and profound literary significance. In the mid-and-late-Ming Dynasty, The Romance of the Zen is undoubtedly the most representative work among all chivalric novels that plan the plot based on travel story after Water Margin. On the one hand, The Romance of the Zen deepens its story theme by showing the course of life in which the protagonist travels among three religious sects,and meanwhile it facilitates the maturity of the chivalric novel by completing the story structure based on the systematic review of the travel course of the protagonist. On the other hand, The Romance of the Zen standardizes and regulates the plot contents against the orthodox and the society with humanistic ideology. As a consequence,the travel theme symbolized by unrestraint and freedom is not only invisibly weakened,but the travel narration structured by the trace of character acts in free-flowing space is damaged to stunt the development of the chivalric novel.

关 键 词：《水浒传》 《禅真逸史》 游历小说 侠义小说 

分 类 号：I207.419[文学—中国文学]