英伽登的现象学文学作品论——体验作品的方式  

On the theory of Ingarden's phenomenological literature——ways of experiencing literature

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《青岛科技大学学报（社会科学版）》2015年第2期18-22,30,共6页Journal of Qingdao University of Science and Technology(Social Sciences)

基　　金：教育部人文社会科学重点研究基地重大项目(05JJD750.11-44207)

摘　　要：英伽登是现象学美学的主要代表之一。他的现象学文学作品论,从现象学观点出发,对文学作品的存在方式和结构层次、体验作品的各种方式、作品的具体化、积极阅读和消极阅读、艺术作品与审美对象的区别、艺术价值与美学价值的区别等问题,进行了深入细致的分析,对德国文学思想的现代化产生了巨大的影响。Ingarden is one of the main representatives of phenomenological aesthetics. His theory of phenomenological literature, from the viewpoints of phenomenology, makes an intensive analysis on the problems including the existence of literature, the mode and structure of literature, the ways of experiencing literature, the embodiment of literature, and the active reading and passive reading, the difference between artistic works and aesthetic object, the difference between artistic value and aesthetic value, etc., which has made a notable influence on the modernization of German literary thoughts.

关 键 词：现象学 英伽登 文学作品论 

分 类 号：B93[哲学宗教—宗教学]