中国抗战诗歌研究综述  

The Research Review on Anti-Japanese War Poetry

作　　者：田源[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《西华大学学报（哲学社会科学版）》2015年第4期6-11,共6页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：中国抗战诗歌从一出现便成为抗战文化的重要组成部分。八十余年来,抗战诗歌研究大致可分为四个时期:从"九一八"事变至新中国成立为第一个时期,这一时期的研究者大多是创作者;从新中国建立到20世纪80年代末为第二个时期,这一时期初步形成了对个体诗人和诗歌集团的文学活动、不同地区诗歌艺术特色以及诗歌文本进行分析的研究框架;20世纪90年代为第三个时期,这一时期学者们在抗战诗歌的审美体验、精神情怀、演变路径等方面进行了拓展与反思;从21世纪初至今为第四个时期,这一时期在强化大后方研究的同时运用了新兴的理论视野。Anti-Japanese War poetry has become a part of the war since its appearance. Over the past 80 years,studies on AntiJapanese War poetry can be roughly divided into four periods： from the＂September 18＂Event to the founding of new China is the first period,in which researchers are mostly the creators; from the new China establishment to the end of the 1980 s is the second period,in which the research framework of genre groups,artistic features,text analysis was initially formed; in the nineties of the twentieth century is the third period,in which scholars expand and reflect on aesthetic experience,spiritual feelings,evolution path of AntiJapanese War poetry; the fourth period is from beginning of the 21 st century up to now,in which the research of Anti-Japanese War poetry in home front is being strengthened and the emerging theory is introduced.

关 键 词：抗战诗歌研究 流变 规律 

分 类 号：I207.2[文学—中国文学]