建国后民族声乐艺术风格流变  

After the Founding of the National Vocal Music Rheological

作　　者：盛滋波[1] 

机构地区：[1]亳州师范高等专科学校,安徽亳州236800

出　　处：《六盘水师范学院学报》2015年第3期51-54,共4页Journal of Liupanshui Normal University

摘　　要：当今,我国民族声乐演唱艺术已达到相当成熟的高度,究其成因及发展的流变史,对民族声乐的发展和声乐教学都是一项有益的重要工作。根据建国后声乐艺术风格的流变特点,可将其约划分为探索阶段、发展阶段、创新阶段、繁荣阶段。其各个时期的风格各具特色,表现在演唱方法、声乐曲目、歌唱家代表。纵观民族声乐的发展历史,其风格流变有着自身的发展规律和轨迹,表现为:声乐曲目从具有浓厚的民间特色音调逐渐发展为具有特色的创作曲目;演唱方法逐渐摆脱喉咙挤、气息浅、声音尖亮、音高偏低等特点,向气息深、音域宽、音色厚、音调高等特点发展;歌唱者从单一的民间唱法逐渐向现代的多面性演唱能力方向发展,以及歌手风格的多样化。Today China＇s national vocal music art has reached a very mature height. The development and ori-gin of rheology, is an important work for the benefit of national vocal music and vocal music teaching. From 1949 to today the development of vocal art in China can be divided into the exploration stage, development stage, innovation stage, and the prosperity stage, Each period of vocal music art have their own characteris-tics, and reflect the different style of the times the singer has its representative works, vocal music, vocal method etc..

关 键 词：声乐艺术 民族声乐 演唱风格 流变 

分 类 号：J607[艺术—音乐]