黄姚文明阁《重阳登高联咏碑》与清末碑学书风之窥——潇贺古道石刻文化系列研究之六  

On Huangyao Civilization Pavilion's Climbing High on Double Ninth Day Group-chant Stele and Epigraph's Calligraphy Style in Late Qing Dynasty:Xiaohe Road Tablet Stone-inscription Culture Research Series Six

作　　者：陈叶飞[1] 

机构地区：[1]贺州学院设计学院,广西贺州542899

出　　处：《贺州学院学报》2015年第2期6-9,共4页Journal of Hezhou University

基　　金：广西哲学社会科学"十二五"规划2011年度项目(11BSH023)

摘　　要：贺州市黄姚古镇作为旅游景区已经名满天下,"文明阁"由于地处古镇外围,却很少有人触及。于文明阁之外,有大小摩崖石刻十余处,其中包括清朝摹刻的唐代大文豪韩愈手迹《鸢飞鱼跃》。该文所涉及的《重阳登高联咏碑》就处于韩昌黎手迹旁边。通过分析《重阳登高联咏碑》的笔法、字法及书法学习的审美取向等方面,窥探晚清学人对碑学书法的热衷闰状貌。Huangyao ancient town as a tourist scenic spot has been renowned all over the world, but the “Civilization Pavilion” is seldom mentioned because of its location outside the ancient town. Outside the “Civilization Pavilion” , there are more than 10 inscriptions on precipices including Tang Dynasty’ s writer Han Yu’ s handwriting “the hawk flies and the fish leap”carved in Qing Dynasty. The “Climbing High on Double Ninth Day Group-chant Stele is beside the handwriting. The author of this paper tries to discuss the late Qing Dynasty’ s scholars’ enthusiasm for stele calligraphy from the learning orientation of the style of writing, lettering and calligraphy of the“Climbing High on Double Ninth Day Group-chant Stele” .

关 键 词：碑学 清末 书法审美 

分 类 号：K887.42[历史地理—考古学及博物馆学]