保罗·德·曼的解构批评:文学语言的修辞性  

Paul De Man's Deconstructionist Criticism: The Rhetoricity of Literary Language

作　　者：王丹[1] 

机构地区：[1]信阳师范学院文学院,河南信阳464000

出　　处：《廊坊师范学院学报（社会科学版）》2015年第3期25-29,共5页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：教育部人文社会科学研究青年基金项目"语言批评的社会历史向度研究"(13YJC751053)

摘　　要：对于文学语言的修辞性的新认识,构成了以保罗·德·曼为主要代表的美国耶鲁学派的理论基点。人们往往忽略了这一关键环节,由此误读了"解构"在文学问题研究上的核心意蕴,误解了这一批评话语与形式主义文论以及文化批评之间的复杂关系。德·曼对于文学修辞活动的"述"与"行"的认识论追问,不仅推动了文论解构倾向的出现,也为文化批评的兴起提供了思路。A new understanding about the rhetoricity of literary language constitutes the theoretical basis of the Yale School, with Paul de Man as the main representative. However, people tend to neglect this critical link, which misreads the core implication about ＂deconstruction＂ in literary studies and also misunderstands the complex relationship between this critical discourse, formalist literary criticism, and cultural criticism. De Man＇s epistemological questioning about the ＂statement＂ and ＂performance＂ of the rhetoric literary activities not only promoted the emergence of literary deconstructionist tendencies, but also provides a guideline for the rise of cultural criticism.

关 键 词：保罗·德·曼 解构批评 文学语言 修辞性 述行 解构 

分 类 号：I0[文学—文学理论]